05 / About
The designer who starts with the question.
Alexander Lervik is one of Sweden’s most internationally recognised designers, known for a practice that moves freely between industrial design, art and collectible design.

Since graduating from Beckmans College of Design in Stockholm in 1998, Lervik has developed a body of work defined by strong concepts, experimentation and a constant search for new expressions. Rather than beginning with form alone, his projects often start with an idea, a question or an experience he wants to create. Function, technology, material and narrative then become tools for giving that idea physical form.
This approach was already evident in his graduation project 10 Stools – 10 Decades, an interpretation of twentieth-century design history through ten objects. The exhibition went on to tour internationally for six years and became the starting point for a career in which conceptual thinking has remained central.
Lervik has since created furniture, lighting, objects, architectural installations and works of collectible design for leading Scandinavian and international manufacturers. His work moves between highly industrial products and experimental one-off pieces, two worlds he considers mutually dependent: artistic experimentation continuously feeds his commercial design practice, while the discipline of industrial production sharpens his artistic work.
Ideas / Technology / Light
Innovation and new technology have been recurring themes throughout his career. From early experiments with integrated LED technology to advanced manufacturing and 3D printing, Lervik has repeatedly explored technologies before they became established tools within mainstream design. His MYBrain lamp — created from a scan of his own brain — became one of his most recognised works and has been described by Bukowskis as the first Scandinavian signature object produced using 3D-printing technology.
Light occupies a particularly important place in Lervik’s work. Growing up and working in Scandinavia, where darkness defines much of the year, has made light both a functional material and an emotional one. His projects frequently investigate how light can transform an object, a space or an experience — often appearing where it is least expected.
This interest culminated in the exhibition Where the Light Leads (Dit ljuset leder), created together with acclaimed Swedish artist and musician Eva Dahlgren. Presented during Stockholm Design Week in 2017, the project brought together hand-crafted glass, light, spatial design and music composed specifically by Dahlgren. Rather than treating the disciplines separately, the exhibition was conceived as a complete sensory experience in which sound, material and illumination responded to one another.
Collaboration across creative disciplines has continued to be an important part of Lervik’s practice. He has worked with artists, photographers, musicians, craftsmen and designers, seeing these encounters as a way of challenging established methods and opening up unexpected directions.
Practice / Recognition
Lervik has presented numerous solo exhibitions, including at Nationalmuseum in Stockholm, Röhsska Museum in Gothenburg and Sven-Harrys Art Museum. In 2018, Kulturhuset Stadsteatern in Stockholm presented the major retrospective In the Mind of Alexander Lervik, bringing together more than 200 objects from two decades of work.
His designs are represented in permanent museum collections including Nationalmuseum in Stockholm, Nasjonalmuseet in Oslo, Röhsska Museum in Gothenburg and the Museum of Furniture Studies / Möbeldesignmuseum in Älmhult.
His work has received extensive international recognition. In 2023 alone, Lervik received 10 international design awards, adding to a career spanning distinctions across furniture, lighting and product design.
Today his practice continues to move between industry and the gallery. Alongside collaborations with established design manufacturers, Lervik is increasingly developing collectible works in which material, craftsmanship, technology and conceptual storytelling can be explored without the constraints of mass production.
At the centre of it all is the same ambition that has driven his work since the beginning: to create objects that do more than fulfil a function — objects that introduce an idea, provoke curiosity and give the observer an experience they did not expect.
Museum collections
- Nationalmuseum
- Stockholm — Red Chair, Skugga candlestick
- Röhsska Museum
- Gothenburg — MYBrain, Red Chair
- Nasjonalmuseet
- Oslo — Bright Handle, Red Chair, Tree of Fiberlights, Vase
- Museum of Furniture Studies / Möbeldesignmuseum
- Älmhult — Chair 44
Selected solo exhibitions
- 01Nationalmuseum Stockholm 1998
- 02Tokyo Designweek 1999
- 03Milano Designweek 1999–2001
- 04Gallerie Pascale Cottard Olsson 2005
- 05Röhsska Museet Gothenburg 2007
- 06Stockholm furniturefair 2009
- 07Gallerie Pascale Cottard Olsson 2013
- 0815x15x15 Stockholm 2013
- 09Designgalleriet 2017
- 10‘In the mind of Alexander Lervik’ Kulturhuset Stockholm 2018
- 11Imagination X12 – Sven Harrys Artmuseum Stockholm 2022
Selected awards
- 01In 2023 Alexander received 10 International design awards
- 02Gold medal Hong Kong Design
- 03Gold medal Product design of the year
- 04Utmärkt Svensk Form
- 05Red Dot Design
- 06Best of the Best – 100% design
- 07Design S
- 08Furniture of the year – Elle Decoration
- 09Best home product – Årets Rum
- 10Form +1
- 11Swedish Light award
Retrospective


In 2018 Kulturhuset in Stockholm presented “In the Mind of Alexander Lervik”, a large retrospective bringing together some 200 objects — evidence of a practice that has never summarised itself.
